An animated drama featuring legions of carnivorous monsters might not seem like traditional box office fodder, but that’s precisely what the latest Demon Slayer film proved to be.
The film established new records for anime, earning over $70 million on its opening weekend in the United States and surpassing £535 million globally. To put that in context, the anime landmark Ghost in the Shell, released in 1995, earned approximately £2 million worldwide.
In the intervening three decades, anime has journeyed from an niche phenomena to a veritable saviour during one of the worst autumn cinematic downturns in modern history.
“Over the last eight years building this fanbase,” says an executive from a leading anime platform. “Coming out of the pandemic, that community has just continued to grow.”
One of the keys to its triumph has been the slow cultivation of a global audience for series like Demon Slayer, which boasts a popular TV series and a prior theatrical hit with 2020’s Demon Slayer the Movie: Mugen Train.
Anime first emerged in Japan during the 1950s, but its definitive global breakout came in 1988 with Akira. This dystopian story pioneered a more grown-up, sophisticated brand of animation whose impact can be seen throughout contemporary media.
Today, Demon Slayer symbolizes anime gatecrashing mainstream cinema and cementing Japanese animation as a potential source of intellectual property in an era where IP is king. Most anime start life as manga, providing years of backstory for studios looking to develop them into major franchises.
Its expanded international influence means anime can materialise in unlikely arenas. Olympic athletes, Premier League footballers, and other sports stars have referenced anime in their triumphs. Some commentators have described the art form as “a lingua franca for young people all over the planet.”
“It’s part of young people’s self-expression,” says an anime writer based in Tokyo. “I think that really is driving this surge of anime, not just in the US, but globally.”
The surge in interest is also linked to “Oshikatsu,” a fan culture of devout support amplified by trends like K-pop. Enthusiasts aren't just watching; they are buying merchandise and sharing their fandom online.
The Japanese government is betting big on anime as a central part of its “Cool Japan” strategy. This cultural diplomacy effort aims to boost the economy by harnessing hardcore fandom to drive cultural tourism. Leaders hope the strategy can generate trillions of yen annually by 2033.
This represents a significant shift for a country traditionally guarded of its culture. “Japan's home market was large enough for a long time,” comments the Tokyo-based expert. “It was an secondary consideration to spread this culture internationally.”
In the landscape of anime distribution, major platforms like Netflix are significant players. The streamer states that the number of subscribers watching anime on its platform has tripled in the last five years, with voice-overs produced in numerous of languages to meet worldwide demand.
The roadmap is filled with major releases. New films in the Demon Slayer saga are planned, although fans will have to wait until 2027 and 2029. Before then, a real-world adaptation of One Piece and new seasons of other popular series are scheduled for release.
The stories are epic, but so are the financial upsides of anime’s seemingly unstoppable rise on the world stage.
Lena is een creatieve strateeg met een passie voor merkbouw en storytelling, gespecialiseerd in digitale transformatie.